Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Thursday, September 11, 2014

The 10 Best Voice-Over Performances of All-Time

Over at The Film Experience, we had another of our monthly Team Experience Polls in which this month we chose the 10 Best Voice-Over Performances in film. Although animated movies are the first thing that come to mind, it was open to all vocal performances in which the actors themselves do not appear on screen. We also ruled out the use of stop-motion performances in which the actor actually performs the entire performance on green screen to be turned into a CGI creation later (otherwise Andy Serkis as Gollum would've certainly made my list). Six out of the ten performances I chose made their way to the final list which you can read here.

Creating remarkable performances with only the use of their voice, these 10 actors prove that even without the full use of their bodies and image, they can can still create complete characters using only a single element of their actorly tools. The voice is a powerful instrument that was the original method of storytelling, so it's only right to highlight 10 cinematic performances that carry on that oral tradition.

Honorable Mentions (I could've probably created an entire other list with any of these actors): Paige O'Hara Beauty and the Beast, Eartha Kitt The Emperor's New Groove, Christine Cavanaugh Babe, Jennifer Cody The Princess and the Frog, Jeremy Irons The Lion King, Minnie Driver Tarzan, Brad Bird The Incredibles, George Sanders Shere Khan, Jimmy MacDonald Cinderella, Douglas Rain 2001: A Space Odyssey

10. Alec Baldwin as the Narrator in The Royal Tenenbaums


"All memory of the brilliance of the young Tenenbaums had been erased by two decades of betrayal, failure and disaster."

Before we became more familiar with the deadpan comedic delivery of Baldwin, thanks to his weekly adventures as Jack Donaghy on 30 Rock, we got a taste when he played the brilliantly droll narrator for Wes Anderson’s film about a family of eccentrics. Everything in an Anderson film is a carefully calculated creation and Baldwin’s voice – deep, soothing, with just the right amount of sarcasm coming through- is equally precise, providing the perfect narration for Anderson’s curio.

9. Geraldine Page as Madame Medusa in The Rescuers


"Adopted? What makes you think anyone would want a homely little girl like you?"

Madame Medusa never really gets the same sort of attention that bigger Disney villainesses like Cruella De Vil and Maleficent receive. And originally, the studio had even toyed with the idea of bringing back Cruella as the baddie in The Rescuers. Luckily they decided to create a new evil creation otherwise we would’ve missed out on the unforgettable voice work of Oscar-winning actress Geraldine Page. Marrying beautifully with Milt Kahl’s animation (her look apparently based on his ex-wife), Page would even act out the entire performance in the recording studio. But what sets her voice work apart from the other evil women mentioned is her unique delivery – totally unexpected choices and vocal variations. My sisters and I still quote her distinct line readings years after watching the film.
8. Scarlett Johansson as Samantha in her


"I want to learn everything about everything. I want to eat it all up. I want to discover myself."


Scarlett Johansson's performance as the iOS system programed to have a personality and think for herself may be the most recent entry on my list, but I have no doubt that her vocal performance, in which she delivers a fully-developed, fleshed-out, and completely touching character - all with just her raspy voice - will stand the test of time. When director Spike Jonze recast the actress originally hired to voice Samantha (Oscar nominee Samantha Morton, who was deemed too cold and robotic during the editing process), he certainly made a wise decision when he chose Johansson. Her natural warmth and girlish eagerness give Samantha a purity that make the audience fall in love with her just as much as Joaquin Phoenix's Theodore does in the film.

7. Jean Shepherd as the Narrator in  A Christmas Story


"My mother was about to make another brilliant maneuver in the legendary battle of the lamp. The epic struggle which follows lives in the folklore of Cleveland Street to this very day."

Most holiday films have a tendency to be overly sentimental and sappy, which is probably why A Christmas Story with its biting humor and skewed sensibility has emerged as one of the truly great holiday classics (There's a good reason it's run 24 hours on cable in December). And that's all thanks to its creator, Jean Shepherd, (the film is based on his short stories about his own childhood) and his narration as the older Ralphy looking back on his troubled youth. Lending his voice to his own words, the story becomes even more personal and more specific in its comedy. Just don't shoot your eye out...

6. Lucille La Verne as the Evil Queen in Snow White and the Seven Dwarves


"Slave in the magic mirror, come from the farthest space, through wind and darkness I summon thee. Speak! Let me see thy face. "


A life-long actress (she was doing Shakespeare at the age of 14 and made her Broadway debut in 1888), La Verne delivered her lines as the haughty and beautiful Evil Queen in Disney's first animated film with the skill and aplomb that only a seasoned stage veteran could deliver. Her rich tones and regal vocalization make the Queen memorably chilly and heartless. But what's even more impressive is that La Verne was able to show off her versatility by also supplying the voice when the Queen transforms herself into the hag to temp Snow White with the poisoned apple. Altering her queenly voice into an old crone's crackle (she took out her dentures to help give the hag an added note of authenticity), La Verne gives two great performances in the same character and set the blueprint for all future Disney villains. 

5. Kathleen Turner as Jessica Rabbit in Who Framed Roger Rabbit?


"I'm not bad. I'm just drawn that way."


When a woman looks as flashy and larger-than-life as Jessica Rabbit, she needs a singular voice to match her exaggerated feminine figure. Luckily the filmmakers decided against the obvious choice of something overtly girly and breathy (like a Betty Boop or Marilyn Monroe) choosing instead the sensuously husky voice of the Oscar-nominated Turner. And a legend was born. Turner, taking inspiration from the femme fatales of the 40s like Lauren Bacall, knows how to make Jessica's lines seductive and mysterious, but what really takes it to icon status is the unexpected humor she's able to infuse into the character. Taking what could potentially be a one-note, walking sexual innuendo, Turner fleshes her out (ahem...) completely. 

4. James Earl Jones as Darth Vader in The Star Wars Trilogy


"The Force is strong with this one."


Darth Vader has been so throughly integrated into pop culture and his voice one of the most recognizable in all of film, that sometimes it's easy to take for granted just what a perfect union vocal work and image can be in shaping a legacy. The evil black gas-mask appearance of Vader needed the commanding boom that only a James Earl Jones could bring. Would we still be remembering how he shockingly told Luke Skywalker that he was his father if James Earl Jones hadn't brought as much authority as he did? Which is why it was always so disappointing to see the actor that they used behind the mask in The Return of the Jedi, stripping Vader of the power he had over us for decades. We choose to only remember him as he should be  - with the assertive bass of Jones.

3. Pat Carroll as Ursula the Sea Witch in The Little Mermaid


"You'll have your looks. Your pretty face and don't underestimate the importance of body language."


Even though the part was originally offered to Bea Arthur and Elaine Stritch was cast and left production after clashing with lyricist Howard Ashman, it's impossible to imagine anyone else bringing to life Ursula in the same way that Pat Carroll was able. Making every single line her own  (her entire performance is quotable and she's given one of the best songs of any other Disney villain), Carroll makes the most of every moment and made Ursula one of the most memorable Disney characters in the process, which is no small feat when she's up against such fan favorites as Ariel and a Caribbean-accented crab. 

2. Ellen DeGeneres as Dory in Finding Nemo


"I shall call him Squishy and he shall be mine and he shall be my Squishy"


A lot of times animated films get hijacked by an unforgettable sidekick that steals the spotlight from the main characters. But when they're as hilarious as Ellen DeGeneres voicing the forgetful Dory, the overt scene-stealing is more than welcome. And DeGeneres' work in the film is what turned Finding Nemo from a cute film about a clown fish trying to find his missing son and turned it into a run-away success, even named one of Time magazine's 100 Greatest Films of All-Time. DeGeneres' good-natured, wholesome comedy could've had the potential to be old-fashioned and square but her work is just as laugh-out-loud funny in its silliness as it was a decade ago. And she expertly handles the emotional moments as well, proving that she's just as skilled as an actress as she is a comedian. Her Dory is certainly not dumb as she seems. Now has anyone seen little Fabio around...

1. Robin Williams as the Genie in Aladdin


"What would you wish of me?


For better or worse, he's the reason that every animated film since has utilized big-name stars to voice its characters. (I'm looking at you, Dreamworks.) But what Williams does with the Genie is not just stunt casting to get people in seats (okay, it may have started off that way). He simply is the Genie. The character is so enmeshed with who Williams is as a performer that it may just be the comedian's best work. Free from the confines of live-action and utilizing the limitless possibilities that the medium of animation is capable of (where you only have to dream it to achieve it), his breakneck energy and rapid-fire delivery is free to explore and create.  And Williams takes full advantage of his freedom. Ad libbing for hours and shaping the entire structure of the film around his delivery, his was the first vocal performance that I remember people seriously campaigning to get an Oscar nomination. The film simply wouldn't exist without Robin Williams and you couldn't wish for a better performance.

Wednesday, January 29, 2014

55 Things in Honor of the 55th Anniversary of Sleeping Beauty

On this day, 55 years ago, the Walt Disney animated film Sleeping Beauty was released in theaters. It's hard to imagine a time when such a big film would be released at the end of January, but I guess back in 1959 they figured people wanted to see good films throughout the entire year (Oh, how times have changed). Thanks to its gorgeous animation and perhaps the best villain to come out of the studio, Sleeping Beauty holds a place as my favorite animated film from the classic era (or pre-The Little Mermaid). It also takes on a new life this summer with the live-action film version starring Angelina Jolie as Maleficent. In honor of this anniversary, I'm celebrating with 55 factoids, fun-filled tidbits, or just random observations concerning the film. Hail to the Princess Aurora!



  1. The film was only the 3rd Disney animated feature based on a fairy tale (Snow White and Cinderella being the other two). The next fairy tale inspired film wouldn't come until 30 years later.
  2. It is also the last fairy tale inspired film that Walt Disney himself was involved with.
  3. Sleeping Beauty was Disney's 16th animated film
  4. Production on the film started in 1951 and lasted nearly a decade
  5. As the years past, Walt became more and more concerned and involved with the creation of Disneyland and took a hands-off approach toward the film.
  6. The look of the film was a departure from the previous films and was intended to look like a medieval storybook brought to life
  7. Artist Eyvind Earle was the color stylist and in charge of the backgrounds
  8. The backgrounds were so intricate that a single background painting would take from 7 to 10 days. A normal background usually took a single day to complete.
  9. Walt actually stole the kiss story element from the story of Sleeping Beauty to be used in Snow White. In the original Grimm fairy tale, Snow White has the piece of apple stuck in her throat. As the prince has the glass casket carried away with him, it gets dropped and the apple dislodges itself and it awakens her. What, food falling out of your mouth isn't a romantic enough way to break a spell, Walt?!?
  10. The film was shot in Super Technirama 70 mm film as opposed to 35 mm
  11. Despite being the titular character, the Sleeping Beauty only appears in about 18 minutes of the film–less than any other Disney Princess
  12.  The music for the film was adapted from Tchaikovsky's Sleeping Beauty ballet by George Bruns (as a kid I always thought it said George Burns. He's so talented!)
  13. The film's only Oscar nomination came for the score. It lost.
  14. Walt originally wanted the three good fairies to be exactly the same.
  15. Animators Frank Thomas and Ollie Johnston thought it would be better to give each their own personality and color (Thank goodness. How else would we have had the famous Pink/Blue dress color fight?)
  16. Although Aurora is one of the rare Disney characters to have both parents, her mother is never named in the film. Notes suggest it was supposed to be Leah and now the studio just goes with that.
  17. The Queen also has exactly two lines in the entire film: "And you're not offended your excellency" and the poignant and complex, "Oh, no!"
  18. There's also debate on who actually provided that voice. Some sources say that it was never written down and others think that Verna Felton (who voiced the fairy Flora) provided the Queen's voice as well.
  19. Eleanor Audley provided Maleficent's wicked voice. She also provided the voice of Lady Tremaine (Cinderella's stepmother). So does this mean that Angelina and Cate Blanchett (currently filming a live-action Cinderella as the stepmother) are the same actress as well? 
  20. It's rumored that the animators used Audrey Hepburn as an inspiration for the look of Aurora. It sounds more like a nice story as she looks absolutely nothing like Audrey. Because they both have thick eyebrows? This is like that rumor that Tinker Bell was modeled after Marilyn Monroe. Lies! It just sounds good.
  21. Flora's gift to the baby princess is the gift of Beauty.
  22. Fauna's gift is the gift of Song
  23. Haven't you always wondered what Merryweather was actually going to give as a gift to Aurora? Hopefully some intellect to go along with that pretty face and awesome singing voice.
  24. In the original fairy tale, the princess sleeps for 100 years before she is awakened. Disney's princess sleeps for about 8 hours or so. Or what doctors recommend as a good night's sleep.
  25. Marc Davis was responsible for animating both Aurora and Maleficent. The latter's design was so complicated that he pretty much animated her for the entire film.
  26. Prince Phillip was the first Prince to actually have a name...and a personality
  27. A flame-thrower was used to make the sound of fire being shot out when Maleficent changes into a dragon
  28. Castanets were used to make the sound of the jaw snapping. Olé!
  29. Live-action references were used extensively on the film as the human characters were intended to move more realistically than in any other previous film.
  30. My favorite part of the entire film is after Aurora is awakened and she and Phillip come down the stairs. But the reason it's my favorite is because I love the way her dress falls behind her as she walks down. It's so beautiful and elegent. Something that the plastic looking clothes in CGI have yet to master. 

  31. Apparently Maleficent's raven is named Diablo. 
  32. How come Maleficent's raven–I mean, Diablo–doesn't change to pink and blue when he spies on the fairies and gets hit with the colorful magic?
  33. The cookies that Merryweather makes appear with her wand are shaped like Mickey Mouse
  34. Even though it was opened 4 years before the film, the castle in Disneyland is named Sleeping Beauty's Castle and was used to garner interest in the film. The original plans were to make it Snow White's castle.
  35. Maleficent is actually an evil fairy (not a witch) and the self-proclaimed Mistress of All Evil.
  36. She resides in the Forbidden Mountains. You know, just a relaxing get-away spot.
  37. The design of Maleficent's goons were based on gargoyles
  38. The goons also make an appearance in Toontown in Who Framed Roger Rabbit?
  39. Sleeping Beauty was the last film to use hand-inked cels. Starting with 101 Dalmatians they started using Xerox. 
  40. When Maleficent transports herself from her castle to stop Phillip from reaching Aurora, she turns  into a firework–taking the Katy Perry song quite literally.
  41. The "Once Upon a Dream" sequence was created 4 different times and was so costly that it nearly bankrupt the studio.
  42. Barbara Luddy provided the voice of Merryweather. She had previously provided the voice for Lady in Lady and the Tramp. 
  43. I remember being so impressed as child that Maleficent curses, "Now shall you deal with me, O Prince, and all the powers of HELL!"
  44. To this day, whenever I'm baking something, I still pronounce teaspoon as tsp. Oh, Fauna, you're my baking spirit animal.
  45. Aurora is named for the dawn, but that was also her name in the ballet.
  46. The Brothers Grimm version of the story has her named Briar Rose, which is the name used when she goes into hiding.
  47. The part where Maleficent taunts Prince Phillip in the dungeon was originally supposed to be a scene in Snow White but the animators were not confident with the animation of the Prince which is why he appears in that film so little.
  48. To defeat Maleficent, Prince Phillip is gifted the Sword of Truth and Shield of Virtue by the three good fairies. Those sound like fancy condom names...
  49. Mary Costa, who provided the voice of Aurora, also worked as a professional opera singer. She was asked by Jackie Kennedy to sing at the memorial service for JFK in LA in 1963 and also performed at the inaugural concert at the Kennedy Center in DC.
  50. If there's one take-away from the film, it's this: spinning wheels are evil. Don't touch them!
  51. At its release, the film barely made enough to cover the 6 million dollars it cost to make the film.
  52. Because of all the times it has been re-released, it is now the second highest grossing film of 1959 (behind Ben-Hur)
  53. The film was only the second Disney animated film released on VHS (the first was Pinocchio)
  54. For the record, the last shot of Aurora's dress is pink. Flora wins.
  55. But, I think everyone is in agreement that blue is better. Team Merryweather!

Tuesday, January 7, 2014

My 10 Most Anticipated Films of 2014

Here we are already looking ahead to the films of 2014 and I feel like I haven't even caught up with 2013 yet! (I know everyone complains every year about how all the good films come out at the end of the year, but, seriously...I went to the theatre two separate times on Saturday just to catch up!) And I'll get to my Best of the Year soon. Don't you worry.

You may have noticed that I haven't been as prolific on this site as I should be. But, I haven't been gone completely. Head on over to The Film Experience to read some articles I've done since that last lonely post at the beginning of September. (It's like the Fall films didn't even happen...) The start of the New Year is full of resolutions. So who am I to buck tradition? Let me just say that one of my resolutions is to post at least one thing a week on my blog. But, I need you all to keep me going. Your comments and page views keep me going! I'm like the Sanderson sister's sucking the life out of childern to survive (Um, that doesn't sound right.) Uh, is anyone actually out there anymore anyway...

Without further ado, my first post in 2014. Here are the 10 Films I am most looking forward to in 2014.

* * *

Honorable Mention: There are actually a lot of films that were supposed to come out in 2013 or were only at film festivals last year that I'm anticipating. But, the one's that got pushed back (Grace of Monaco and Foxcatcher) both seem to have problems surrounding them. Never a good sign. And the Festival Films (Under the Skin and The Immigrant) seem (in the words of the great Hilary Duff) so yesterday -  without even having been released. Oh, well. I do want to see them all still. I'll try not to pass judgement until I've actually seen them.

10. Gone Girl

Realease Date: October 3
Director: David Fincher
Stars: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry (and he he's not even in a dress!)
Plot: The "perfect" wife, Amy Dunne (Pike), mysteriously disappears on the day of her wedding anniversary to husband, Nick (Affleck). As clues and secrets start to unfold, Nick becomes the prime suspect. But, could the answer really be so obvious? Not in this story...
Why this film?: The film is based on the best-selling novel by Gillian Flynn. It seemed everyone on the subway was reading this the summer of 2012. I, myself, was included in that legion of readers and...didn't really care for it. When the twist comes (there's always a twist), the book loses momentum and we're left with a lot more story to go. But, the reason I've included the film on my list is for two reasons. First When the casting process was happening, the usual roster of names came out: Reese Witherspoon, Charlize Theron, Natalie Portman, Scarlett Johansson. So, I'm really happy that they went with an actress that's not a household name but very talented and getting the opportunity to star in a film that could bring her more notoriety. But, more importantly, I've included it because of David Fincher. The Oscar nominated director doesn't always make films that I necessarily enjoy, but not one to shy away from dark material (that's certainly an understatement if you've ever seen Se7en or Fight Club...), he always creates something worth watching. (Please just take a moment to watch the amazing Open Title sequence in his Girl With the Dragon Tattoo.)

9. Magic in the Moonlight

Release Date: Summer 2014 (Everything on the interwebs keeps telling me the Japanese release date. July 26th, if you're interested. Hopefully we see it before Japan!)
Director: Woody Allen
Stars: Emma Stone, Colin Firth, Marcia Gay Harden, Hamish Linklater, Jacki Weaver
Plot: You never know with Woody. But we do know it was filmed in the South of France and from the released still that some part of it is set in the 1920's.
Why this film?: With Midnight in Paris and Blue Jasmine, it seems that Woody is on a role recently! (Eh, let's just pretend that the unfortunate To Rome With Rome in between the two never happened, deal?) So, I am already onboard for what the Wood-man has in store for us this year. Add a great cast that includes a couple Oscar winners, a recent two-time Supporting Actress nominee, and the internet's favorite girl crush (outside of Jennifer Lawrence, of course), throw in some snazzy Jazz Age ensembles (let's not forget how good that last trip to the 20's was - Don't speak!) and a swoon-worthy European locale, and you have yourself a recipe for another Woody Allen classic. 


8. Birdman

Release Date: TBD, but probably in the fall
Director: Alejandro González Iñárritu
Stars: Michael Keaton, Naomi Watts, Emma Stone (again! She may be the most ubiquitous star of 2014, also appearing in this year's The Amazing Spider-Man 2 and Cameron Crowe's next film), Edward Norton, Amy Ryan, Zach Galifianakis
Plot: An once-famous actor known for portraying a superhero (Keaton - don't forget he was Batman!) tries to bring a play to Broadway, but must confront his ego and the star he used to be. He is also forced to deal with his family relationships as well.
Why this film?: When you think comedy, doesn't the director of such side-slitters as 21 Grams and Babel rank up there with other comedic greats? No? Well, that's the main reason why I'm so intrigued by this whole crazy thing. I absolutely loved his first film, Amores Perros, but each film that followed seemed more and more dour and I found myself liking each subsequent film less and less than the previous one. Until we got to his last film, Biutiful, a film so intent on showing you how horrible everything in life is, that I started wondering why I liked him as a director in the first place. A comedy seems like the kind of artistic reset needed. And anything that employs a cast like that (Michael Keaton, where have you been all this millennium?) is differently bound to be intriguing no matter if it succeeds or not.

7. The Boxtrolls



Release Date: September 26
Director: Graham Annable and Anthony Stacchi
Stars: Stop-motion boxtrolls! And also the voices of Ben Kingsley, Elle Fanning, Toni Colette, and Simon Pegg
Plot: A boy that was raised by underground, box dwellers tries to save them from an exterminator intent on killing them all. (Okay, so maybe the plot doesn't sound all that special.)
Why this film?: Just watch that trailer which embraces and celebrates the process of stop-motion animation and tell me you're not enchanted by it. (You are made of stone if you think otherwise, sir.) This is the third film from Laika who previously made two other films that I really enjoyed, Coraline and ParaNorman (both stop-motion, of course). At a time when it seems every animated movie has to be computer animated (oh, how I miss you hand-drawn animation), I'm so glad that films are still being made that aren't afraid to be unique. There is something really admirable about the fact that everything in the film is created and touched by human hands - made of tangible things and not made up of zeros and ones. 


6. Noah



Release Date: March 28
Director: Darren Aronofsky
Stars: Russell Crowe (let's just hope he doesn't sing in this one), Jennifer Connelly, Emma Watson, Anthony Hopkins, Ray Winstone
Plot: A romantic comedy about...just kidding. What do you think it's about? A biopic about Noah Wylie?
Why this film?: Growing up Catholic, I'm not all that keen on having all the Bible stories presented on film. I've heard enough of them to last me a lifetime of Sundays. But, what really interests me is that Darren Aronofsky (Requiem for a Dream, The Wrestler, Black Swan) is directing this and, judging from the trailer, there doesn't seem to be much in the way of God-talk. (There are, however, silly looking CGI animals and I'm not talking about Russell Crowe.) Rumors that the director is fighting with the studio after test-screenings with religious-types didn't go so well also sounds promising. I'm not saying it should be blasphemous, but taken as a story (not a religious parable), and treated as such, it has the potential to be good. And with Ridley Scott's Moses film Exodus coming out this year as well, it seems 2014 is the year of the Bible stories. But, I'm giving the edge to this film if only because you can't make a movie about Moses without Anne Baxter.

5. Interstellar



Release Date: November 7
Director: Christopher Nolan
Stars: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Ellen Burstyn, Michael Caine
Plot: It's Nolan, so you know it's gonna be complex. After a wormhole is discovered, a group of scientists and explorers use it to go beyond the constraints of human conditions, including time travel and alternate universes. 
Why this film?: There are people that worship at the alter of Christopher Nolan (although, I feel that last Batman needed to take the advice of Heath Ledger's Joker and stop taking itself so seriously). I just admire him for making blockbuster films that aren't dumbed down. He's making films that make people think, while still making them entertaining (and making huge amounts of money). He also seems to cast actors that I like as well (Annie! Chasty! 2013 wasn't the same without you two). And being one of the only directors that shoots with the IMAX camera makes this film even more of a have-to-see-it-on-the-big-screen spectacle. 

4. Maleficent



Release Date: May 30
Director: Robert Stromberg
Stars: Angelina Jolie, Elle Fanning, Sharlto Copley, Miranda Richardson, Imelda Staunton, Lesley Manville
Plot: Based on Disney's animated film Sleeping Beauty, the film focuses on the villain of that story, the evil Maleficent who curses Princess Aurora. The film gives a back-story to the horned-one and tells the story from her prospective
Why this film?: Sleeping Beauty is my favorite classic Disney film and Maleficent is a big reason why. I was really disappointed in the last two big Disney live-action films (Alice in Wonderland and Oz the Great and Powerful), so I also list this film with a lot of trepidation mixed with the anticipation. Angie looks great in the teaser trailer and the stills released so far. And she's said that Maleficent was always her favorite Disney character growing up (no surprise there). But then seeing that stupid CGI fairy (that better not be what the fairies actually look like. They need pointy hats and wands!) and the kinda generic look of the whole thing (especially when the animated film is so stylized and intricate) makes me have doubts. But, if it works, it looks like it could be a real treat and my hope is that Angie nails the role so much so that people are talking Oscar nomination (no pressure, Angie).

3. The Grand Budapest Hotel



Release Date: March 7
Director: Wes Anderson
Stars: Ralph Fiennes, Tony Revolori, Tilda Swinton, Saoirse Ronan, Bill Murray, Adrian Brody, Jude Law, Willem Dafoe, Jeff Goldblum, Edward Norton
Plot: In 1920's Europe, the concierge of the famed Grand Budapest Hotel, Gustave H (Fiennes), inherits a painting from a wealthy, elderly guest (Swinton, in a part originally intended for Angela Lansbury) that dies. He and his lobby boy (Revolri) must hide the painting from the woman's son (Brody) and the authorities. I think it's safe to say that hilarity ensues. 
Why this film?: Because the world needs more of Wes Anderson's twee creations. That sounds sarcastic, but I'm serious! I just want to live in his movies - they're so perfect in their hipster aesthetic and sensibility. I've seen the trailer for this film so many times over the last month preceding films in the movie theatre and I have to admit that I'm still not sick of it. Not only that, it still makes me laugh. I've thoroughly enjoyed most of Anderson's past films, but his last one (Moonrise Kingdom) was easily one of my favorite films of 2012. So, I'm particularly intrigued to see his latest. If for no other reason than Ralph Fiennes looks hilarious in it, which is not generally a side of him we see.

2. Inherent Vice

Release Date: TBD, most likely the Fall
Director: Paul Thomas Anderson
Stars: Joaquin Phoenix, Reese Witherspoon, Josh Brolin, Owen Wilson, Jena Malone, Benicio del Toro
Plot: Based on the book by Thomas Pynchon, the story takes place in 1970's Los Angeles and concerns a weed-smoking detective by the name of "Doc" Sportello (Phoenix) that investigates the disappearance of a former girlfriend.
Why this film?: Like González Iñárritu and Birdman, it seems director Paul Thomas Anderson is following up his two past films (the complex and dramatic There Will Be Blood and The Master), with something a little more light-hearted! I love that these great auteurs are diversifying their style. The film also reunites the (Oscar nominated) star of The Master with its director. And after this past year's Her, it's looking like Joaquin Phoenix is also looking to let loose a little. This is the first time that Anderson is adapting the screenplay from a novel and not using an idea of his own. And what an author to choose. Pynchon is greatly admired and notoriously reclusive (he refuses to do interviews, although he has appeared on "The Simpsons" as himself...with a paper bag over his head) and this is the first of his novels to ever be turned into a film. 

1. Into the Woods

Release Date: December 25
Director: Rob Marshall
Stars: Meryl Streep, Anna Kendrick, Emily Blunt, James Corden, Johnny Depp, Christine Baranski, Tracey Ullmann
Plot: Adapted from Stephen Sondheim's musical, the story concerns a Baker and his Wife (Corden and Blunt) who are cursed by a witch (Streep) to remain childless. The two enter the woods to break the spell and encounter characters from classic fairy tales (Jack as in "Jack and the Beanstalk" fame, Cinderella played by Kendrick, Rapunzel, and Little Red Riding Hood) on their journey.
Why this film?: Most of the films on this list are chosen for the most part because of the director, but this film is my number one for everything else except Marshall. Look, I loved Chicago as much as everyone else, but he really hasn't been able to capture that magic again (ugh, let's not even talk about Nine, aka Chicago 2: The Fantasies Take Italy). But, I love this musical so much that I'm really rooting for it to succeed. This time, with the fairy tale subject matter, Marshall is free to let the fantasy take center stage and not just be confined to dream sequences. I really want him to go all out and make this a spectacle, but also remember that family and legacy are at the heart of the story. I'm curious about the casting across the board. There's Broadway stars mixed in with movie stars, but hopefully all of them are actually able to sing the part (ahem, Russell Crowe. Damn, that's twice in one post. Got you, Crowe!) because Sondheim ain't easy. But the biggest question mark has to be Emily Blunt in the part that Joanna Gleason won the Tony for. I've never heard Blunt sing, so don't know what she's capable of. I've also heard the almost 3 hour stage show has been cut to 2 hours, but they somehow still found room for a new song...I guess we'll all find out on Christmas Day. Hopefully it'll be a gift we treasure and not a lump of coal...

Sunday, March 25, 2012

The Artistry of Glen Keane

I've had Disney animation on my mind a lot recently. On Thursday night, the internet caught word that a rare documentary made by Trudie Styler and John-Paul Davidson called The Sweatbox had made its way to youtube in it's entirety. The film documented what was supposed to be an epic animated film about the Incas, with music by Sting, called Kingdom of the Sun. But, in the middle of production, the half-completed film was overhauled to become the comedic, The Emperor's New Groove. Word is that the heads of Disney were not happy with the way they were portrayed and have made it nearly impossible to see the finished documentary film. In fact, I moved too slowly in getting a chance to see it and now it's been taken off of youtube. I had been really looking forward to Kingdom of the Sun when it had been announced as a project. And was very skeptical of the change. I mean, it had the word 'groove' in the title. I will say that I do find The Emperor's New Groove to be pretty hilarious (Eartha Kitt's line deliveries are genius), despite the awful title. But, I still long to see that sweeping, epic film that was originally planned.

Then Nathaniel over at The Film Experience mentioned the documentary Waking Sleeping Beauty in his post on former Disney animator, Tim Burton. That film focuses on the glory years of the late 80s to late 90s when Disney was able to make animation a huge success again. I got to see an advanced screening of that film, back in 2009, at BAM with a Q & A with the filmmakers, producer Don Hahn (Beauty and the Beast, Aladdin) and former president of Feature Animation at Disney, Peter Schneider. It's available on Amazon to watch instantly. Hahn and Schneider said that they were surprised what they were able to show in the film because Michael Eisner and Roy Disney don't exactly come across in the best light. I guess maybe they got away with more because they were former employees and knew how it was. It's definitely worth a look if you are at all interested in animation.


But, the thing that made me most nostalgic was the news on Friday that legendary animator Glen Keane was leaving Disney Animation after 37 years. You may not be familiar with his name, but you definitely know his work (and his dad is 'The Family Circus' comic creator, Bil Keane). Over at Cartoon Brew, they have the complete text of the letter he sent out to his co-workers. In honor of what many are calling the end of an era, I wanted to pay tribute to Glen Keane with a look back on the amazing work he's created over the years. He's brought to life some memorable characters that were a huge reason for the success of the Disney Animation Renaissance. They certainly have had an impact on my life and will no doubt live on for generations to come.

Ariel, Beast, Aladdin, Pocahantas, Tarzan, and Rapunzel after the jump